Welcome ! - Bienvenue sur le blog d'Yvonne Monlaur. L'actrice internationale du cinéma de genre des années 60 et l'ambassadrice française de la célèbre Hammer Films...
5 weeks ago
Mention the words "horror star" and certain names immediately spring to mind-- Boris Karloff, Bela Lugosi, Peter Cushing, Christopher Lee, and Vincent Price. But another, lesser-known name was also heavily involved in numerous horror and science-fiction films-- Donald Pleasence. Featuring a distinctive look, memorable voice, and a serious approach to his roles, Pleasence shined brightly in many genre favorites. Whether as a maniacal body snatcher in The Flesh and the Fiends, a surgical assassin in Fantastic Voyage, the arch-villain of 007 in You Only Live Twice, a sarcastic inspector in Raw Meat, or his career-defining role as the heroic Dr. Loomis in Halloween, Donald Pleasence proved himself to be a top performer in the fantastical genres of horror and science-fiction. The Films of Donald Pleasence includes a full biography, tributes from Pleasence’s friends and coworkers, reviews of all his films, and a rare photo gallery in the first-ever book devoted to the man who became a genre favorite to countless fans.
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Format: Softcover; 6” x 9”; 316 pages
Available also through Ingram and amazon.com
About the Author: Christopher Gullo is a history teacher and a life-long fan of genre films who resides in Long Island, NY with his wife Beth and son Anthony. His first book was In All Sincerity...Peter Cushing and he still runs the Peter Cushing Association on Facebook. In addition, Christopher has contributed to various books, magazines, and DVDs.
"At the moment I am working on a research project concerning the Hammer Horror films that were released between 1950-1970. Movies like Dracula (1958) and The Curse of Frankenstein (1957) were very popular in their day and my project's main aim is to find out why this was. Nowadays it is very important that this type of research contains audience reception and so I need to interview people who went to see these films at the cinema. The study is also, broadly speaking, looking at the experience of going to cinema and how it changed after The Second World War.
In 100 years time people will look back on memories that are orally recorded with the same fascination that we would if we had the chance to examine the testimony of people from 1912. So if you went to see these films, or know someone who might have, and would be interested in sharing your memories about both them and your cinema-going experience please contact me by on 07518401791, or by email at firstname.lastname@example.org.
Thank you for reading, Josh."